The album showcases Frank Ocean’s versatility as a singer, songwriter, and storyteller. It features 17 tracks (or 19 on the vinyl version) that range from minimalist acoustic ballads to psychedelic pop anthems. He also drew inspiration from various sources, such as literature, film, art, philosophy, and personal experiences.īlonde is a complex and layered album that explores themes such as identity, sexuality, love, loss, nostalgia, and self-discovery. He worked with a diverse range of producers and musicians, such as Pharrell Williams, Kanye West, Beyoncé, Kendrick Lamar, James Blake, Jonny Greenwood, Rick Rubin, and many more. Frank Ocean recorded the album in various locations around the world, including London, Tokyo, New York, Los Angeles, and Paris. He also parted ways with his label, Def Jam, and became an independent artist, giving him more creative freedom and control over his work.īlonde was the result of four years of hard work, experimentation, and collaboration. After releasing his critically acclaimed debut album, Channel Orange, in 2012, he went on a long hiatus, leaving fans wondering if he would ever release new music again. The Making of Blonde: A Four-Year Journey of Experimentation and Collaborationįrank Ocean’s musical journey leading up to Blonde was not a smooth one. In this article, we will explore the story behind Frank Ocean’s Blonde vinyl, how it was made, what makes it unique, and why it is so coveted by fans and collectors alike. But what makes Blonde even more special is its vinyl edition, which has become one of the most sought-after and collectible records in history. His album Blonde, released in 2016, is widely regarded as a masterpiece and one of the best albums of the decade. His music transcends genres and boundaries, blending R&B, soul, pop, hip-hop, rock, and experimental sounds. The original production of “Spring Awakening” made a splash with its gleeful clash of anachronisms - students in vintage German school uniforms pulling out microphones to sing high-powered (and sometimes profane) rock songs with titles like “The Bitch of Living” and “My Junk.”īut the show begins on a more delicate and haunting note, with Wendla’s “Mama Who Bore Me,” a lament about life lessons learned too late.Įven more than a century after the play was first written (and quickly disappeared), “Spring Awakening” can still seem right on time.Frank Ocean is one of the most influential and enigmatic artists of our time. She knows almost nothing about sex (or its potential consequences), a fact that lends the story one of its tragic elements. The story revolves around Melchior’s friendship with the troubled Moritz (Charles Evans Jr.), and the budding but fumbling physical attraction he shares with the sheltered Wendla (Taylor Aldrich). There are so many times in this show when words aren’t enough.” They always say that in a musical, the music starts when words aren’t enough. And the music, I think, really lends itself to (that feeling). “No matter if you have the greatest parents in the world, or you go to the greatest school in the world, you always feel as if you’re being oppressed somehow. It’s a gift to an actor when it just clicks and you don’t have to sit and say, ‘What are they talking about, what is going on?’ That’s my favorite moment right now.Īs far removed as today’s young people might seem from the 1890s setting of Wedekind’s German Expressionist classic, “the angst is timeless,” says Dave Thomas Brown, who plays the key role of Melchior. I just feel so connected to it - it just kind of happens for me. For some reason I don’t have to work at it at all. Taylor Aldrich: “(The song) ‘The Guilty Ones,’ at the top of Act 2. And Michael Mizerany’s choreography is incredible - it’s athletic and it’s raw and it shows everything in the story that we need.” It’s this release of ‘Why, God, why?.’ It’s just so much fun. In the sitzprobe (the first session with the band), no one could sit still. I think you could hear this musical with no singing and no story and still know what it’s about.”Ĭharles Evans Jr.: “(The song) ‘Bitch of Living.’ I gotta say it: It kicks so much (booty). I’m not having to (make myself) feel I miss my friends and that I feel alone in the world. And what’s so great for an actor when you get to do a musical that’s really well-written is that your emotional through-line can just ride this river of the music. The music is just mind-bogglingly beautiful. The three lead actors in Cygnet’s “Spring Awakening” talk about their favorite moments in the show:ĭave Thomas Brown: “My favorite is definitely the trio at the end, where we all three sing together.
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